For many of the works there are online scores (pdf documents) and audio file extracts available
| Bad Machine | 2001 | 13 mins |
| 2fl, 2asax/ssax,bcl, tpt, hn, 2trb, tuba, egui, bgui, perc, pf | ||
| Com: De Ereprijs | ||
| Epitaph For Nebula | 1989 | 10 mins |
| fl, ob, cl, bn, hn,tpt, trb, perc, vn, va, vc, db [1111, 1110.1111] | ||
| Firedance | 1990 | 10 mins |
| 4tpt, 4trb, hn,tuba, perc, kbds | ||
| Jack the Diamond's Jamming Station | 2003 | 17 mins |
| 3030. 1330. ssax,asax, tsax, bsax, egui, bgui, perc, 3pf, evn, evc, db | ||
| for large amplified ensemble Com: BBC for Orkest de Volharding and Icebreaker | ||
| Macedonia | 2005 | 17 mins |
| $vn, flexible ensemble | ||
| Com: Darragh Morgan and COMA London | ||
| Sal's Sax (Original version) | 1995 | 13 mins |
| fl, pic, 3sax, 3pf,perc, egui, bgui, evn, vc | ||
| Sal's Sax (De Ereprijs version) | 1996 | 13 mins |
| amplified ensemble:2pic/fl, 3asax/, hn, tpt, 2trb, tuba, egui, bgui, perc, pf | ||
| Without Fear of Vertigo | 2001 | 8 mins |
| fl, cl, tpt, perc,pf, vn, va, vc, db | ||
| Chorale for Wim Megans | 2008 | 4 mins |
| fl, pic, 3sax, 3pf,perc, egui, bgui, evn, vc | ||
| September Music | 2009 | 10 mins |
| 2 fl (picc), sop sax (bari), alto sax (sop), cl (bass cl), hrn, tmp, 2 trom, tuba, elec guit, bass guit, perc, piano | ||
| Equal Measured Music | 2010 | 12' |
| Solo Electric Vln, 11 solo strings, soundtrack | ||
| Commissioned by the Scottish Ensemble with support of PRSforMusic Foundation | ||
| Pulpable Music | 2010 | 4' |
| Pic,Ob,Cl,BCl,Cbsn,Hrn,Tpt,Trb,Perc,Pf,vln1,vln2,vla,vlc,cb | ||
| Commissioned by Birmingham Contemporary Music Group | ||
| Boogie Nights | 2012 | 11' |
| 2 fl,Sop Sax,Alto Sax,Cl,hrn,trp,2 trb,tuba,perc, elec guitar,bass guitar,pf and barrel organ (or soundtrack)4 | ||
| Extended Play | 2013 | 9' |
| rec,bcl,sax,vln,trb,electric bass,perc,electric guitar,pf | ||
| Commissioned by Decibel with support of Britten-Pears Foundation | ||
| Mission Statement | 2014 | 1'-3' |
| For Flexible Ensemble and Voices | ||
| Written for CoMA’s 21st Birthday | ||
